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Jerusalem — Mount of Olives Photo Gallery

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Jerusalem Overview

Introduction

Rising above the Kidron Valley on the eastern side of Jerusalem, the Mount of Olives offers one of the world's most recognizable views. From its slopes, visitors look across the Temple Mount, the walls of the Old City, and the ancient landscape where many of the Bible's most significant events unfolded. For thousands of years, this ridge has served as a place of worship, pilgrimage, burial, and prophecy, making it sacred to Jews, Christians, and Muslims alike.

For Christians, the Mount of Olives is closely associated with the final week of Jesus' mortal ministry. Here He made His triumphal entry into Jerusalem, taught His disciples the Olivet Discourse, wept over the city, prayed in the Garden of Gethsemane, and, following His Resurrection, ascended into heaven. The mount preserves many of the places that commemorate these events, surrounded by churches and monuments built over centuries of Christian devotion.

This gallery follows the principal sites found along the Mount of Olives, beginning with its panoramic overlooks and continuing to the Garden of Gethsemane and other important landmarks. Along the way, you'll discover not only the history and archaeology of these sacred places, but also gain a deeper appreciation for why this hillside has remained one of the most meaningful destinations for pilgrims visiting Jerusalem for nearly two thousand years.

Slide Presentation Major Events

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Major Events at Jerusalem

Mount of Olives

Viewed eastward from the Palace of Caiaphas on Mount Zion, this panorama spans the Kidron Valley, the Arab neighborhood of Silwan, the Mount of Olives, and Mount Scopus beyond. Three prominent landmarks stand out on on or near the skyline: the arched façade of the BYU Jerusalem Center for Near Eastern Studies (left) on Mount Scopus, the tower of the Augusta Victoria Hospital (skyline center left), and the bell tower of the Russian Orthodox Ascension Convent (skyline right). The shallow ravine of Wadi el-Joz separates the Mount of Olives from Mount Scopus, while the Kidron Valley divides the Mount of Olives from Jerusalem’s Old City. Together these ridges form one of the most recognizable and historically significant landscapes in Jerusalem.

Mount of Olives

Viewed from the eastern slope of the City of David, this panorama looks across the Kidron Valley toward the Mount of Olives. The densely built Arab neighborhood of Silwan occupies the right side of the valley, while the Mount of Olives is covered by Jerusalem’s ancient Jewish cemetery, one of the oldest and most revered burial grounds in the world. The walls of Jerusalem’s Old City appear in the upper left, marking the western edge of the Kidron Valley. For thousands of years, this dramatic landscape has formed the natural boundary between the City of David and the Mount of Olives, linking many of Jerusalem’s most significant biblical and historical sites.

City of David

Viewed from the Mount of Olives, this panorama looks west across the Kidron Valley toward the southern end of Jerusalem’s Old City. In the foreground lies the ancient Jewish cemetery, one of the oldest continuously used burial grounds in the world. Beyond it, the Arab neighborhood of Silwan covers much of the ancient City of David, where Jerusalem first developed during the time of King David. Above the City of David on Mount Zion stand the traditional site of the Palace of Caiaphas and the distinctive bell tower of Dormition Abbey. The massive Old City walls stretch across the center of the photograph, enclosing the Jewish Quarter and other historic neighborhoods that have formed the heart of Jerusalem for centuries.

Mount of Olives - Wadi Joz

Looking north from the Mount of Olives, this view spans Wadi el-Joz, the shallow ravine that separates the Mount of Olives from Mount Scopus. The ridge beyond is home to the Hebrew University of Jerusalem, one of Israel’s leading centers of higher education. Photographed in September, at the close of the long Mediterranean dry season, the hillsides are covered with golden grasses and dusty olive groves. Within a few weeks, the autumn rains will transform this landscape into the vibrant green that visitors often associate with the hills surrounding Jerusalem.

Mount of Olives - Kidron Valley

Looking east across the Kidron Valley, this view centers on the western slope of the Mount of Olives. The terraced hillside is home to the Orson Hyde Memorial Garden, dedicated in 1979 by President Spencer W. Kimball in honor of Elder Orson Hyde of the Quorum of the Twelve Apostles. Hyde visited Jerusalem in 1841 and offered a dedicatory prayer for the return of the Jewish people to their ancient homeland. Today, the peaceful gardens provide beautiful views of the Old City and commemorate one of the earliest Latter-day Saint connections to Jerusalem.

Temple Mount - Orson Hyde Memorial Gardens

Viewed from the summit of the Orson Hyde Memorial Garden on the Mount of Olives, this panorama looks west across the Kidron Valley to Jerusalem’s Old City. The Golden Gate stands at the center of the eastern wall, with the Dome of the Rock rising above the Temple Mount. Along the skyline are several of Jerusalem’s most recognizable landmarks, including Dormition Abbey on Mount Zion, the white dome of the Hurva Synagogue in the Jewish Quarter, and the King David Hotel farther to the west (upper right). In the foreground, the red-domed Greek Orthodox Church and Monastery of Saint Stephen overlooks the Kidron Valley, while the historic Muslim cemetery extends along the base of Jerusalem’s 16th-century Ottoman walls.

Augusta Victoria Hospital

Built between 1907 and 1910 as a hospice for German Protestant pilgrims, the Augusta Victoria complex was commissioned by Kaiser Wilhelm II and named in honor of his wife, Empress Augusta Victoria. Perched atop the Mount of Olives, it later became a military headquarters during both World Wars before being converted into a hospital. Today, Augusta Victoria Hospital is operated by the Lutheran World Federation and serves as a major medical center for Palestinians, specializing in cancer care and kidney dialysis. Its distinctive 165-foot (50 meter) bell tower is one of the three prominent landmarks that dominate the Mount of Olives skyline and serves as a familiar landmark for travelers approaching Jerusalem from the east.

German Protestant Church of the Ascension

The German Protestant Church of the Ascension stands at the heart of the Augusta Victoria complex on the Mount of Olives. Built between 1907 and 1914 under the patronage of Kaiser Wilhelm II and named for Empress Augusta Victoria, the Romanesque-style church was designed to serve German Protestant pilgrims visiting the Holy Land. Its soaring bell tower, one of Jerusalem’s most recognizable landmarks, is visible from many viewpoints around the city and dominates the Mount of Olives skyline. Today, the church remains an active place of worship alongside Augusta Victoria Hospital, both operated by the Lutheran World Federation. Although many visitors refer to the entire property simply as “Augusta Victoria,” it is actually a church-hospital complex, with the iconic tower belonging to the church.

August Victoria Church

The main entrance to Augusta Victoria Hospital reflects the Romanesque architecture that characterizes the entire Augusta Victoria complex. Decorative stone carvings and rounded arches echo the design of the adjacent Church of the Ascension, emphasizing that both buildings were conceived as parts of a single German Protestant pilgrimage center. Today, Augusta Victoria Hospital is one of the leading medical institutions serving Palestinians in East Jerusalem and the West Bank, specializing in cancer treatment, kidney dialysis, and other advanced medical services. During the Christmas season, festive decorations add a warm reminder that this historic complex continues to serve both the physical and spiritual needs of the community.

Judean Wilderness - August Victoria Hospital Grounds

Few visitors discover the peaceful promenade behind the Augusta Victoria complex on the eastern side of the Mount of Olives. The trail offers panoramic views across the rugged Judean wilderness, whose barren ridges descend eastward toward the Jordan Valley and the Dead Sea. Away from the crowds, it provides one of Jerusalem's finest places to appreciate the natural beauty of the Holy Land and the stark wilderness that has served as the backdrop for countless biblical events.

Russian Orthodox Convent of the Ascension

The Russian Orthodox Convent of the Ascension was established on the Mount of Olives in the late nineteenth century by the Russian Orthodox Church. Dedicated to Christ’s Ascension, the church stands on the traditional site where many Christians commemorate Jesus’s final earthly appearance before ascending into heaven (Acts 1:9–12). Surrounded by cypress trees and peaceful gardens, the convent remains an active community of Orthodox nuns and one of the Mount of Olives’ most tranquil sacred sites.

Russian Orthodox Convent of the Ascension

Viewed from the rear, the Church of the Ascension displays its simple Byzantine-inspired architecture, crowned by a large central dome and golden cross. Beyond its role as a place of worship, the convent includes residences, gardens, workshops, and guest facilities that support the daily life of the monastic community. The quiet grounds offer a striking contrast to the busy streets of Jerusalem just beyond the convent walls.

Russian Orthodox Convent of the Ascension

Immediately behind the church lies a small cemetery reserved primarily for members of the convent and other prominent figures associated with the Russian Orthodox mission in Jerusalem. Monastic cemeteries traditionally reflect the Orthodox emphasis on humility and the hope of the resurrection, with simple stone crosses marking many of the graves. A larger Russian Orthodox cemetery is located farther east behind the church, where many clergy, pilgrims, and members of Jerusalem’s historic Russian community are also buried.

Russian Orthodox Convent of the Ascension

The interior of the Russian Orthodox Church of the Ascension is one of the most beautiful church interiors in the Holy Land. Sunlight filters through stained-glass windows, illuminating the gilded iconostasis that separates the sanctuary from the nave according to Orthodox tradition. In the corner, one of the convent’s nuns quietly cleans the church, a reminder that this sacred space is not simply a historic monument but an active place of daily worship and devotion.

Russian Orthodox Convent of the Ascension

Looking into the central dome, Christ is depicted ascending into heaven, reflecting the church’s dedication to the Ascension. The surrounding ring of windows fills the sanctuary with natural light, drawing the eye upward toward the image of the risen Savior and symbolizing the heavenly hope celebrated in the Orthodox tradition.

Russian Orthodox Convent of the Ascension

This fresco depicts Jesus raising Lazarus from the dead in nearby Bethany (John 11), one of His greatest miracles before the events of Passion Week. Bethany lies just over the eastern slope of the Mount of Olives, making this scene especially appropriate in a church dedicated to Christ’s final days on earth. The miracle foreshadowed Christ’s own resurrection and became a powerful symbol of His authority over death.

Russian Orthodox Convent of the Ascension

The convent grounds are among the most peaceful on the Mount of Olives. Towering cypress trees, olive trees, flowering gardens, and shaded pathways create a quiet retreat where the nuns live and worship. Visitors often remark on the serenity of the grounds, which provide a welcome escape from the crowds found at many of Jerusalem’s other holy sites.

Russian Orthodox Convent of the Ascension

Beyond the gardens lies the larger Russian Orthodox cemetery at the back of the church and convent. Unlike the small cemetery immediately behind the church, which is reserved primarily for members of the convent and those closely connected with its ministry, this cemetery contains the graves of bishops, clergy, pilgrims, members of the Russian Orthodox Mission, and many prominent figures associated with the Russian Orthodox presence in the Holy Land.

Russian Orthodox Convent of the Ascension

Many of the cemetery’s monuments commemorate distinguished clergy and leaders of the Russian Orthodox Church. Portraits of the deceased are often incorporated into Orthodox gravestones, preserving both their likeness and their memory. The practice reflects the Orthodox tradition of honoring those who faithfully served the Church while expressing hope in the resurrection.

Russian Orthodox Convent of the Ascension

Seen from the doorway, the church’s elegant iconostasis forms the visual center of the sanctuary. The ladder beside the wall is a reminder that this was an ordinary maintenance day, as the convent’s nuns carefully cleaned and cared for the church. Such quiet acts of service help preserve one of Jerusalem’s most beautiful Orthodox sanctuaries.

Russian Orthodox Convent of the Ascension

Viewed from the south, the Church of the Ascension stands beneath the convent’s soaring bell tower. Together they form one of the Mount of Olives’ most recognizable landmarks, combining traditional Russian Orthodox architecture with local Jerusalem limestone.

Russian Orthodox Convent of the Ascension

Rising more than 60 meters (about 210 feet) above the Mount of Olives, the convent’s bell tower is one of Jerusalem’s tallest church towers. Its distinctive silhouette has greeted travelers approaching the city from the east since the late nineteenth century, making it one of the most recognizable landmarks on Jerusalem’s skyline.

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Journal Entry (Dec. 29, 2022)

Walking the grounds of the Russian Orthodox Convent of the Ascension

One of the unexpected highlights of my visit to Jerusalem was the Russian Orthodox Convent of the Ascension on the southern end of the Mount of Olives. Unlike most of the holy sites in Jerusalem, the convent is not especially easy to find. There are no large signs directing visitors. The entrance is little more than a pair of bright green doors at the end of a driveway. I rang the bell, hoping someone might answer, and a gentleman kindly welcomed me inside.

The moment I stepped onto the grounds, the atmosphere changed. The crowds and noise of Jerusalem seemed to disappear. Towering cypress trees, quiet gardens, and the sound of birds created a feeling of peace unlike anywhere else I visited during my trip. I wandered through the cemetery, then entered the church for a few photographs. The beauty of the sanctuary was overwhelming, and after only a few minutes I quietly slipped back outside because I felt as though I was intruding on something sacred.

A little later I returned—not to take more pictures, but simply to sit. I found a bench and watched as several nuns carefully cleaned the church. At first it seemed like ordinary housekeeping, but the longer I observed, the more I realized I was witnessing an act of devotion. They dusted the edges of picture frames that already looked spotless, polished surfaces no visitor would likely notice, and worked with a quiet reverence that suggested they were serving Christ rather than simply maintaining a building. Their attention to the smallest details reflected a faith that required no words.

As I sat there, the sister who appeared to be directing the work suddenly motioned for me to come over. She spoke no English, but pointed to a piano that needed to be moved so the nuns could clean behind it. Together we carefully slid it away from the wall before they resumed their work.

It may seem like an insignificant moment, but helping move that piano became one of the experiences I remember most from my time in Jerusalem. For just a few minutes, I wasn't merely visiting another historic site—I was allowed to participate, in a very small way, in the life of this remarkable community.

Many places in the Holy Land teach through archaeology, history, or breathtaking scenery. This place taught me something different. It reminded me that discipleship is often expressed through quiet, unseen acts of service performed with love and without expectation of recognition.

When it was finally time to leave, I found that I didn't want to. There was a peace on those convent grounds that is difficult to describe but impossible to forget.

Pater Noster Church

The Church of the Pater Noster commemorates the traditional site where Jesus taught His disciples the Lord’s Prayer on the Mount of Olives (Matt. 6:9–13; Luke 11:1–4). The present Carmelite church, dedicated in 1874, stands above the remains of earlier Byzantine and Crusader churches built to honor this sacred tradition. The peaceful courtyard and surrounding gardens invite visitors to reflect on one of Christianity’s best-known prayers.

Pater Noster Church

The walls surrounding the Pater Noster grounds are lined with beautifully decorated ceramic plaques displaying the Lord’s Prayer in hundreds of languages and dialects from around the world. For the church, the collection symbolizes the fulfillment of Christ’s command to take His gospel to every nation and reminds visitors that this simple prayer has united Christians across cultures for nearly two thousand years.

Pater Noster Church

This marble tomb belongs to Princess Aurélie de la Tour d'Auvergne (1809–1889), a French noblewoman whose generosity made the construction of the modern Pater Noster Church possible. After purchasing the property on the Mount of Olives, she financed archaeological excavations and the building of the Carmelite convent and church. In recognition of her devotion, she was buried on the grounds she helped preserve.

Pater Noster Church

The church interior is intentionally simple and quiet, providing a place for prayer rather than elaborate ceremony. Pilgrims come here to remember the Savior’s instruction on prayer and to read or recite the Lord’s Prayer in the place where Christian tradition has long associated that teaching. The peaceful atmosphere reflects the contemplative life of the Carmelite sisters who continue to care for the sanctuary.

Pater Noster Church

This devotional shrine honors Saint Thérèse of Lisieux, the beloved French Carmelite nun often called “The Little Flower.” Visitors may light candles and offer prayers in her memory. Her emphasis on humble faith, simple devotion, and complete trust in Christ has made her one of the most widely loved saints in the Catholic tradition.

Pater Noster Church

From the western edge of the Pater Noster grounds, visitors enjoy one of the finest panoramic views of Jerusalem. The Temple Mount, crowned today by the Dome of the Rock and Al-Aqsa Mosque, lies directly across the Kidron Valley. From this same hillside, Jesus frequently overlooked the city, taught His disciples, and wept over Jerusalem as He anticipated the events of His final week (Luke 19:41–44).

Mount of Olives - Jewish Cemetery

The southern slopes of the Mount of Olives are covered by the world's oldest continuously used Jewish cemetery, where more than 150,000 graves stretch across the hillside overlooking Jerusalem’s Old City. Beyond the white limestone tombs rise the walls of the Temple Mount, with the silver dome of Al-Aqsa Mosque and the golden Dome of the Rock marking the location of the ancient Jewish temples.

For more than two thousand years, Jews have desired burial on the Mount of Olives because of the biblical expectation that the resurrection of the dead will begin here with the coming of the Messiah (Zech. 14:4). The cemetery continues to receive new burials today, making it one of Judaism’s most sacred places.

Mount of Olives - Jewish Cemetery

Thousands of limestone tombs cover the Mount of Olives, many bearing Hebrew inscriptions, family names, and prayers. Small stones placed atop the monuments are a traditional Jewish expression of remembrance, symbolizing that loved ones have visited and honored the deceased.

Many of those buried here are prominent rabbis, scholars, political leaders, and ordinary Jewish families who desired to rest near Jerusalem’s holiest sites. The cemetery reflects an unbroken tradition of burial that has continued from the Second Temple period to the present day.

Mount of Olives - Jewish Cemetery

Some tombs on the Mount of Olives belong to highly respected rabbis or spiritual leaders whose graves are visited by worshippers seeking inspiration and offering prayers. Visitors often leave written petitions, light memorial candles, or spend time reading from the Psalms and other devotional books while gathered at the grave.

The books visible inside this tomb are provided for visitors who come to pray and meditate. While Jewish tradition directs prayers to God alone rather than to the deceased, many believe that praying at the resting place of a righteous person provides a meaningful setting for worship and remembrance.

Mount of Olives - Absalom's Pillar

This striking monument in the Kidron Valley is traditionally known as the Tomb of Absalom or Absalom's Pillar. According to 2 Samuel 18, Absalom, the rebellious son of King David, died around 1000 BC after leading a revolt against his father. Although the monument has long been associated with him, archaeological evidence shows it was actually carved nearly a thousand years later.

The lower portion was cut directly from the rock during the first century AD, while the upper section was carefully carved into the form of a freestanding monument. It is one of the finest surviving examples of monumental Jewish funerary architecture from the late Second Temple period.

Mount of Olives - Jewish Cemetery

The two monumental tombs carved into the cliffs of the Kidron Valley date to the late Second Temple period (1st century BC to 1st century AD). The freestanding monument with its distinctive pyramidal roof is traditionally known as the Tomb of Zechariah, although it almost certainly does not contain the biblical prophet. Carved from a single block of bedrock, it is one of Jerusalem’s finest examples of Jewish funerary architecture from the time of Herod.

Immediately to the left is the Tomb of the Sons of Hezir (Benei Hezir), the oldest surviving rock-cut family tomb in Jerusalem. An inscription identifies it as the burial place of the priestly family of Hezir, one of the twenty-four priestly divisions that served in the Temple (1 Chron. 24:15). Its classical façade with Doric columns reflects the strong Greek and Roman artistic influences that had reached Judea during the late Second Temple period.

Mount of Olives - Jewish Cemetery

The descent from the Mount of Olives into the Kidron Valley passes through one of Jerusalem’s most historic landscapes. Ancient Jewish tombs line the valley floor and lower slopes, while pathways wind between burial caves that have served generations of Jerusalem’s inhabitants.

From this vantage point visitors can appreciate why the Kidron Valley occupies such an important place in biblical history. It separated the Temple Mount from the Mount of Olives, was crossed frequently by Jesus and His disciples, and has remained a place of burial and religious significance for more than two millennia.

Dominus Flevit Church

The modern Dominus Flevit Church stands on the western slope of the Mount of Olives overlooking Jerusalem. Its Latin name means “The Lord Wept,” recalling the moment when Jesus paused during His triumphal entry, looked upon the city, and wept over its coming destruction (Luke 19:41–44). The present church, completed in 1955 and designed by Italian architect Antonio Barluzzi, is intentionally shaped like a tear drop, symbolizing Christ’s sorrow. Beneath and around the church are remains from the Canaanite, Second Temple, and Byzantine periods, reminding visitors that this sacred hillside has been occupied for thousands of years.

Dominus Flevit Church

The sanctuary is oriented toward the west, allowing worshippers to look directly across the Kidron Valley toward Jerusalem through the large picture window behind the altar. Christian tradition associates this hillside with the place where Jesus foresaw the destruction of Jerusalem and lamented that its people had not recognized “the things which belong unto thy peace” (Luke 19:42). The front of the altar features a striking mosaic of a hen gathering her chicks beneath her wings, recalling Jesus’s words: “How often would I have gathered thy children together” (Matt. 23:37). From this location pilgrims gain one of the clearest visual connections between the Mount of Olives and the Temple Mount below.

Dominus Flevit Church

The large western window frames one of Jerusalem’s most memorable views. The cross in the foreground is silhouetted against the Temple Mount, where the Jewish temples once stood and where the Dome of the Rock now dominates the skyline. Whether or not this is the exact location where Jesus paused, it is easy to understand why Christian tradition has long associated this overlook with His lament over Jerusalem. Few places allow visitors to experience so vividly the dramatic relationship between the Mount of Olives, the Kidron Valley, and the sacred city beyond.

Russian Orthodox Church of St. Mary Magdalene

The Russian Orthodox Church of Saint Mary Magdalene was built between 1885 and 1888 by Tsar Alexander III in memory of his mother, Empress Maria Alexandrovna, whose patron saint was Mary Magdalene. Designed in the traditional Russian Revival style, the church’s brilliant gilded onion domes immediately distinguish it from every other church in Jerusalem.

The seven gilded domes are a hallmark of Russian Orthodox architecture. While they are commonly referred to as “onion domes,” the design is traditionally interpreted as resembling the flame of a burning candle—a symbol of prayer and devotion rather than a vegetable. Covered with gold leaf, the domes shine across the Kidron Valley and have become one of the defining features of the Mount of Olives skyline.

Russian Orthodox Church of St. Mary Magdalene

The entrance to the Church of Saint Mary Magdalene is easy to miss. Behind these green gates lies one of Jerusalem’s most beautiful church gardens and one of its least-visited holy sites.

Unlike many churches on the Mount of Olives, public access is limited. The grounds and church are generally open only on Tuesday and Thursday mornings from 10:00 a.m. until noon (subject to change), making a visit inside a special opportunity for those fortunate enough to arrive while it is open.

Russian Orthodox Church of St. Mary Magdalene

Stepping through the entrance gates, visitors leave the busy streets of Jerusalem behind and enter a peaceful garden shaded by cypress, olive, and flowering trees. Stone pathways gradually climb the hillside toward the church, creating a quiet setting for prayer and reflection.

The church was intentionally placed high on the western slope of the Mount of Olives, overlooking the Kidron Valley and the Temple Mount. The secluded gardens contribute to an atmosphere of remarkable serenity rarely found at Jerusalem’s more crowded pilgrimage sites.

Russian Orthodox Church of St. Mary Magdalene

This memorial commemorates the suffering and martyrdom of members of the Russian Imperial (Romanov) family during the Russian Revolution of 1917–1918.

Following the Bolshevik Revolution, Tsar Nicholas II, his family, and many members of the imperial household were executed. Among those remembered here are Grand Duchess Elizabeth Feodorovna, who became a nun after her husband’s assassination, and Grand Duchess Elizabeth’s companion, Sister Barbara. Both were murdered by the Bolsheviks in 1918, later canonized as saints by the Russian Orthodox Church, and are buried within the Church of Saint Mary Magdalene.

Russian Orthodox Church of St. Mary Magdalene

Built of finely dressed Jerusalem limestone, the Church of Saint Mary Magdalene combines traditional Russian architecture with local building materials. Broad stairways lead pilgrims upward to an elegant porch beneath the gleaming domes.

Its location on the Mount of Olives was chosen not only for its commanding views of Jerusalem but also because this hillside is closely associated with many of the final events in the life of Jesus, making it a fitting setting for a church dedicated to one of His most faithful disciples.

Russian Orthodox Church of St. Mary Magdalene

From this angle, the harmony of the church’s proportions becomes especially apparent. The central dome rises above six smaller domes, while decorative arches, carved stonework, and colorful ceramic details reflect the craftsmanship of nineteenth-century Russian church architecture.

Although the exterior is striking, the interior is comparatively intimate, encouraging quiet worship rather than grand ceremonial display.

Russian Orthodox Church of St. Mary Magdalene

Orthodox churches are filled with sacred icons that are intended not merely as religious art but as “windows into heaven.” Worshippers often light candles before them, bow, or kiss the icons as expressions of reverence for the person depicted rather than the wood or paint itself.

Richly carved wooden frames and hanging oil lamps emphasize the sacred character of the images throughout the church. This icon of the Virgin Mary holding the Christ Child reflects one of the central themes of Orthodox Christianity: the Incarnation—the belief that Jesus Christ is both fully God and fully man.

Russian Orthodox Church of St. Mary Magdalene

This mural depicts Mary Magdalene standing before the Roman Emperor Tiberius, according to an early Christian tradition. After Christ’s resurrection, Mary traveled to Rome and boldly proclaimed the Resurrection before the emperor. Following the custom of presenting a gift when appearing before a ruler, she offered him a simple egg while declaring, “Christ is risen!”

When the emperor doubted her testimony, the white egg she carried miraculously turned red. The red egg has since become one of the enduring symbols of Orthodox Easter, representing both Christ’s sacrificial blood and His victory over death through the Resurrection.

Russian Orthodox Church of St. Mary Magdalene

The church's gilded onion domes are among Jerusalem's most recognizable landmarks. Their elegant, flame-like shape symbolizes candles burning before God, while the brilliant gold reflects the glory of heaven.

Visible from much of the city, these seven domes have become an enduring symbol of the Russian Orthodox presence on the Mount of Olives and remain one of the most photographed church silhouettes in the Holy Land.

Is this the origin of Easter eggs?

According to Eastern Orthodox tradition, yes. The story of Mary Magdalene and the emperor is generally regarded as the origin of the red Easter egg tradition. For nearly two thousand years, Orthodox Christians have dyed eggs red at Easter to commemorate Christ’s Resurrection and Mary’s witness before Tiberius.

In the Western Church, however, the tradition developed somewhat differently. During the Middle Ages, eggs were forbidden during Lent in many parts of Europe. Families accumulated eggs throughout the forty days, then decorated and ate them as part of the Easter celebration when the fast ended. Over time, decorated eggs became associated with Easter generally, and many regional customs developed.

So today’s Easter egg traditions have two principal streams:

Seeing this mural inside the Church of Saint Mary Magdalene helps explain why the red Easter egg remains such an important symbol in Orthodox Christianity today.

Orson Hyde Memorial Garden

The lower entrance to the Orson Hyde Memorial Garden is easy to miss. A small sign just east of the Garden of Gethsemane marks the beginning of a quiet pathway that climbs the western slope of the Mount of Olives. Many visitors pass by without realizing that one of Jerusalem’s most beautiful gardens lies just beyond the gate.

Dedicated in 1979, the garden commemorates Elder Orson Hyde of The Church of Jesus Christ of Latter-day Saints, who traveled to Jerusalem in 1841 and offered a dedicatory prayer on the Mount of Olives for the return of the Jewish people to their ancient homeland. The peaceful pathways and scenic overlooks invite visitors to reflect on both the city’s history and its sacred significance.

Orson Hyde Memorial Garden

Just inside the entrance stands the memorial stone marking the dedication of the Orson Hyde Memorial Garden. The inscription appears in Hebrew, Arabic, and English, reflecting Jerusalem’s diverse religious and cultural heritage.

Time and weather have gradually softened the engraved lettering. When the monument was first dedicated, the letters were highlighted in bright red and black paint, making the inscription much easier to read. Although the colors have faded over the years, the monument continues to commemorate Elder Hyde’s remarkable 1841 visit and the garden established in his honor.

Orson Hyde Memorial Garden - Kidron Valley

Near the entrance, the trail opens to sweeping views across the Kidron Valley toward Jerusalem’s Old City. Olive groves cover the valley floor, while the massive eastern wall of the Temple Mount rises beyond, creating one of the city’s most recognizable landscapes.

This southwest view illustrates why the Mount of Olives has long been treasured by pilgrims. From here, visitors can appreciate the close relationship between the Mount of Olives, the Kidron Valley, and the Temple Mount—locations central to both biblical history and the final days of Jesus’s earthly ministry.

Orson Hyde Memorial Garden

Stone pathways wind gently through terraced gardens filled with olive trees, cypress, flowering shrubs, and native plants. Carefully landscaped and meticulously maintained, the garden provides a quiet refuge from the busy streets surrounding Jerusalem’s most visited holy sites.

As the trail gradually climbs the hillside, new viewpoints unfold through the trees, rewarding visitors with ever-changing glimpses of the Old City.

Orson Hyde Memorial Garden

About halfway up the trail, the trees part to reveal one of the garden’s most memorable views. The golden Dome of the Rock rises above the eastern wall of the Temple Mount, framed by olive branches and the surrounding landscape of the Kidron Valley.

Unlike the broad panoramas found higher on the Mount of Olives, this viewpoint offers an intimate composition that naturally draws the eye toward Jerusalem’s sacred heart.

The upper section of the garden becomes even more secluded as the pathway winds among rocky terraces, mature trees, and carefully tended landscaping. Benches placed along the route encourage visitors to pause and enjoy the peaceful surroundings.

Continuing upward eventually leads to additional overlooks and the upper entrance near the Mount of Olives summit road, making the Orson Hyde Memorial Garden one of Jerusalem’s most rewarding—and often overlooked—walking paths.

Church of All Nations

The dimly lit interior was intentionally designed to create an atmosphere of quiet reflection, recalling the darkness of the night when Jesus came to Gethsemane with His disciples. Purple-blue stained-glass windows soften the light, while richly decorated mosaics portray scenes from Christ’s final hours, including His prayer in Gethsemane, His betrayal, and His arrest.

Massive columns divide the sanctuary into three aisles, supporting twelve dark domes that symbolize the nations whose gifts made the church possible. The subdued lighting and peaceful silence invite visitors to contemplate the Savior’s willingness to submit to the Father’s will.

Church of All Nations

At the front of the church lies the Rock of Agony, traditionally identified as the stone upon which Jesus prayed on the night of His betrayal. According to the Gospels, it was here that He withdrew from His disciples, pleading, “Father, if thou be willing, remove this cup from me: nevertheless not my will, but thine, be done” (Luke 22:42).

While no one can say with certainty that this is the exact rock touched by Jesus, Christians have venerated this place for many centuries as the location of His agony in Gethsemane. Surrounded by an ornate wrought-iron crown of thorns, the exposed bedrock serves as a powerful reminder of Christ’s willing submission as He began to bear the suffering that would culminate in His Atonement and Crucifixion.

Church of All Nations

The Church of All Nations, also known as the Basilica of the Agony, stands at the foot of the Mount of Olives beside the Garden of Gethsemane. Built between 1919 and 1924, the church was designed by Italian architect Antonio Barluzzi on the remains of earlier Byzantine and Crusader churches. Its construction was funded by donations from twelve countries, giving rise to the name “Church of All Nations.” The coats of arms of those nations are incorporated into the building’s design.

The church commemorates the place where Jesus prayed on the night before His arrest. Its striking façade, topped with a golden mosaic depicting Christ’s agony in prayer, welcomes pilgrims from around the world who come to reflect on one of the most solemn moments of Passion Week.

Garden of Gethsemane

The traditional Garden of Gethsemane lies at the foot of the western slope of the Mount of Olives, just across the Kidron Valley from Jerusalem’s Old City. The name Gethsemane comes from the Hebrew gat shemanim, meaning “oil press,” reflecting the olive groves that have covered this hillside for centuries. According to the Gospels, Jesus came here with His disciples after the Last Supper to pray on the night before His crucifixion (Matt. 26:36–46; Mark 14:32–42; Luke 22:39–46).

Rising above the garden in the distance is the golden Dome of the Rock atop the Temple Mount. The striking contrast between these two sacred places reminds visitors that the final events of Jesus’s earthly ministry unfolded within sight of the temple that dominated first-century Jerusalem.

Garden of Gethsemane

Some of the olive trees in the Garden of Gethsemane are among the oldest living trees in the Holy Land. Scientific testing suggests that several date to approximately the twelfth century, while their extensive root systems may descend from much earlier trees that grew here in antiquity. Although it cannot be proven that these trees witnessed the events of Jesus’s final night, they preserve the appearance and atmosphere of an ancient olive grove remarkably well.

Behind the trees rise the gray domes of the Church of All Nations, built between 1919 and 1924 over the traditional site where Jesus prayed in agony before His arrest. Together, the ancient olive grove and the church have made Gethsemane one of the most meaningful places of Christian pilgrimage in Jerusalem.

Garden of Gethsemane

Quiet pathways wind among the ancient olive trees, inviting visitors to slow their pace and reflect on the events remembered here. The garden today is carefully maintained by the Franciscan Custody of the Holy Land, preserving both its beauty and its peaceful atmosphere amid the bustle of modern Jerusalem.

For many pilgrims, the Garden of Gethsemane is one of the most moving places in the Holy Land. Whether viewed as a historical setting or a place of personal devotion, its ancient trees and shaded paths provide a fitting reminder of the night when Jesus submitted Himself to the Father’s will before His arrest.

Tomb of the Virgin Mary

The Tomb of the Virgin Mary lies in the Kidron Valley at the western foot of the Mount of Olives, just a few steps north of the Garden of Gethsemane and the Church of All Nations. The present Crusader-era entrance, dating primarily to the 12th century, preserves a much older tradition that identifies this as the place where the Virgin Mary was laid to rest. Across the valley, the slopes of the Mount of Olives rise behind the church, while the stone wall surrounding the Orson Hyde Memorial Garden is visible on the hillside above.

Although the New Testament does not describe Mary’s burial, Christians have venerated this site since at least the fourth century. Today the church is jointly cared for by the Greek Orthodox and Armenian Apostolic Churches and remains one of the most revered Marian shrines in Jerusalem.

Tomb of the Virgin Mary

Passing through the entrance, visitors begin a long descent down a broad flight of ancient stone steps into the underground sanctuary. The stairway leads beneath the Crusader church into an earlier rock-cut crypt, creating the impression of descending into the heart of the hillside. Hanging lamps, incense, and centuries of soot-darkened stone give the interior its distinctive atmosphere of antiquity and devotion.

At the bottom of the steps lies the traditional burial chamber of the Virgin Mary. Along the way are several small chapels, including shrines associated with Mary’s parents, Joachim and Anne, making the descent itself part of the pilgrimage experience.

Tomb of the Virgin Mary

At the center of the church is the small chapel that encloses the traditional Tomb of the Virgin Mary. Pilgrims approach the shrine to pray, light candles, venerate icons, and touch the stone associated with Mary’s burial. Richly decorated with flowers, hanging lamps, and icons, the sanctuary reflects the deep devotion Christians have shown this site for centuries.

According to ancient Christian tradition, Mary’s body rested here briefly before she was taken into heaven. While different Christian traditions understand the end of Mary’s earthly life differently, this sacred chamber has long served as a place of prayer, remembrance, and hope in the promise of the resurrection.

Greek-Orthodox Monastery of Saint Stephen

Nestled in the Kidron Valley below the Mount of Olives, the Greek Orthodox Monastery of St. Stephen occupies a quiet site just west of the Church of All Nations. From this vantage point, visitors can appreciate how closely the monastery is tied to the places associated with the final days of Jesus, while remaining hidden from the crowds that gather nearby in the Garden of Gethsemane.

According to long-standing Christian tradition, this monastery preserves the place where Stephen, the first Christian martyr, was put to death. Although the precise historical location cannot be confirmed archaeologically, the site has been venerated for centuries as a memorial to his faith and sacrifice.

Greek-Orthodox Monastery of Saint Stephen

The modest entrance gives little indication of the beauty that awaits inside. Like many Orthodox churches in Jerusalem, the exterior is intentionally simple, directing attention away from the building itself and toward the sacred worship that takes place within.

Crossing the threshold, visitors enter a space filled with icons, lamps, incense, and centuries of Christian devotion, reflecting the rich liturgical traditions of the Greek Orthodox Church.

Greek-Orthodox Monastery of Saint Stephen

The church is adorned with colorful icons depicting Christ, the Virgin Mary, Stephen, and many of the saints honored in the Orthodox tradition. Every element—from the carved woodwork to the hanging oil lamps—has symbolic meaning and contributes to an atmosphere of reverence and prayer.

Orthodox churches are designed to inspire worship through beauty. Rather than focusing on the congregation, the architecture and artwork invite worshippers to contemplate heavenly realities and the lives of faithful disciples who came before them.

Greek-Orthodox Monastery of Saint Stephen

The interior domes of the church are richly decorated with traditional Orthodox iconography. At the center of many domes is an image of Christ Pantocrator (“Christ Almighty”), looking down over the congregation as a reminder of His divine authority and eternal presence. Surrounding figures often include angels, prophets, apostles, or scenes from Scripture, transforming the ceiling into a visual expression of the heavenly kingdom.

To Orthodox Christians, the iconostasis is more than an architectural feature. It symbolizes the meeting of heaven and earth, with the saints portrayed on its icons serving as witnesses to Christ and reminders that believers worship together with the heavenly host.

Greek-Orthodox Monastery of Saint Stephen

Stepping outside the church and looking to the left, visitors may notice a set of doors leading into a neighboring structure. When open, they provide access to the traditional site where Stephen is believed to have been stoned to death.

The area is not always accessible, making it easy for many visitors to overlook. Yet for those able to enter, it offers a quiet place to reflect on the courage and testimony of the man remembered as Christianity’s first martyr.

Greek-Orthodox Monastery of Saint Stephen

According to the monastery’s tradition, this rock marks the place where Stephen was martyred after boldly bearing witness to Jesus Christ. His account is recorded in Acts 6–7, where he declared his testimony before the Jewish council, saw a vision of the risen Christ, and was then taken outside the city to be stoned.

Whether or not this is the exact historical location, the stone serves as a powerful reminder of Stephen’s unwavering faith. His final words echoed those of Jesus, as he prayed for his persecutors and entrusted his spirit to the Lord, leaving an enduring example of forgiveness and steadfast discipleship.